Danish Sand and White Table Lamp by Per Linnemann-Schmidt for Palshus

About This Piece

Vintage Design

Per Linnemann-Schmidt Slender Mid-Century table lamp made by Danish Palshus Ceramic workshop in the 1960s.
It is made of chamotte clay which gives a rough and vivid surface. The glaze is white and beige in Harlequin checkered pattern.

Included is a new lampshade designed in Denmark. It is made of woven fabric with some texture and it is natural white. It has a top cover so it will spread a cozy light downwards.

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* The cable of this item may be original and might need replacement, if not specified otherwise.

Creator	Per Linnemann-Schmidt
Manufacturer	Palshus
Design Period	1960 to 1969
Production Period	1960 to 1969
Country of Manufacture	Denmark
Identifying Marks	This piece has an attribution mark
Style	Danish Design, Vintage, Midcentury, Scandinavian Modern
Detailed Condition	Very Good — This vintage/antique item has no defects, but it may show slight traces of use.
	The vendor has confirmed this piece is in working order.
Restoration and Damage Details	Light wear consistent with age and use, The lamp remains in very good vintage condition with full function. No chips,cracks or repairs. The lamps come with new a lampshade as seen on the images.
Plug Type	European Plug (up to 250V)
Product Code	QQ-1417549
Materials	Ceramic, Fabric
Color	Beige, grey, white
Height	55 cm 55 cm
Diameter	30 cm

Shipping & Delivery

Ships from	Denmark
Returns	Returns accepted within two days of delivery, except for Made-to-order items

Sustainability

Carbon Neutral	For every purchase made, Pamono offsets 100% of estimated carbon emissions from global shipping.
Vintage	Choosing vintage and antique furniture reduces your carbon footprint by cutting down on waste and reduces demand for new materials and extends the life of the products we use.

Delivery Details

Delivery will be completed by a parcel service such as UPS, DHL, or FedEx.
You will receive a tracking number to monitor the status of your shipment.
Delivery will take place between 9am and 5pm, Monday to Friday.
A wooden crate may be used for intercontinental shipments for maximum protection.
Item will be left in its packaging after delivery.
A signature will be required upon delivery.

*Important Note

Please examine the packaging upon delivery. In the event that there are visible signs of damaged packaging, please indicate the problem on the Delivery Note, take pictures, and—if the item inside shows damages—contact us within 48 hours of delivery. A signed delivery receipt without notations regarding damaged packaging represents your acceptance of the completed order in perfect condition.

About the Creator

Per Linnemann-Schmidt

Danish sculptor and ceramic artist Per Ingvard Henrik Wulff Linnemann-Schmidt was born in 1912 in Copenhagen. Son of the Danish sculptor Willie Wulff (1881-1962), he later took his stepfather’s surname, Schmidt. In 1931, Linnemann-Schmidt began studying at the Royal Academy of Art in Copenhagen, where he honed his skills as a draftsman in life and figure drawing, and as a sculptor in clay plaster and bronze. During the 1930s and ‘40s, he specialized in portrait sculptures, and was commissioned by many private clients.

In 1949, together with his wife Annelise Linnemann-Schmidt (née Sprechler, 1918-1969), the pair established Palshus Stentøj (Stoneware) in Sengeløse, located outside of Copenhagen. The name Palshus was a combination of both of their initals with the addition of the Danish word for house, Hus. Linnemann-Schmidt designed and created the pieces which included tableware , vases , and lamps , while his wife ran the company. Their pieces were sold in the department store Den Permanente in Copenhagen. Per was self taught in glazing techniques and perfected the beautiful matte "Haresfur" glazes. Colors were characteristic Scandinavian earthy tones: blues, browns, and beige. Many talented ceramic artists also worked for Palhus including Jens H. Quistgaard;Kjeld Jordan, who specialized in animal and bird figures; sculptor Billy Eberlein; and the Cuban-American Hugo de Soto, who created chess pieces for Pahus in addition to his own abstract art.

Palhus struggled after being accused of plagiarizing designs by fellow Danish ceramics factory Saxbo in the late 1950s. Following the suddent death of Annelise in 1969, Linneman-Schmidt closed Palhus for good in 1972. He returned to his first vocation as an artist: drawing, painting, and sculpting. a number of pieces before passing away in 1999.